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The value of cell lines for pre-clinical work lies in choosing those with similar characteristics. Selection of cell lines is typically based on patient history, histological subtype at diagnosis, mutation patterns, or signaling pathways. Although recent studies established consensus regarding molecular characteristics of ovarian cancer cell lines, data on in vivo tumorigenicity remains only sporadically available, impeding translation of in vitro work to xenograft models.

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Firstly, the humanistic culture that flourished William Fagg and the Study of African Art, an international conference at the Courtauld Institute of Art, celebrates Africanist William Buller Fagg 28 April —10 July and his arguably immense contribution to the study and perhaps equally important appreciation of African art in Britain and elsewhere. Fagg was the Keeper of the Department of Anthropology at the British Museum — and, as it transpired, a pioneering

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Come join us in chat! Co-starring with in the hit comedyBalin also had a secondary part in 's. When Tina Louise made her critically acclaimed feature debut in the serious drama God's Little Acreshe could not have known that her fame would be confined to Gilligan's little acreage.

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To preserve these articles as they originally appeared, The Times does not alter, edit or update them. Occasionally the digitization process introduces transcription errors or other problems. By Joseph McBride. During the 's, at the peak of his powers and his success, he won three Academy Awards and was Hollywood's most highly paid director.

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She recently landed the gig of co-host of Weekend Today alongside Peter Stefanovic. And while her weekends are now booked, Allison Langdon was seen taking some time out to enjoy a beach day with her family in Sydney last Thursday. Flaunting her washboard abs and lean physique, the year-old splashed around in the water with her husband Mike Willesee Jr.

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Her early work dealt with the institutional formation of commercial photography which was, in fact, most of photography during the first generation of negative-positive prints in the s—60s, and she remains concerned with the ways that economic and political forces shape the social status and ideological messages of the photographic. She welcomes students working outside the Western canon of art photographs, as well as those who want to reconsider major figures who have not received critical treatment. Other areas in which McCauley has published include the history of caricature, American and European modernist collectors, the historiography of photography, the nude, early anthropological photography, Realism in art and photography, concepts of copyright and originality, Victorian feminism and amateur photography in the 19th century, and the impact of photography on art history as a discipline.